{"id":3823,"date":"2026-04-01T19:45:47","date_gmt":"2026-04-01T17:45:47","guid":{"rendered":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/?page_id=3823"},"modified":"2026-04-01T20:03:00","modified_gmt":"2026-04-01T18:03:00","slug":"franska-b1-b2-konversation-och-grammatik-9","status":"publish","type":"page","link":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/franska-b1-b2-konversation-och-grammatik-9\/","title":{"rendered":"Franska B1 B2 Konversation och grammatik #9"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/blogg.folkuniversitetet.nu\/lerust\/files\/2026\/04\/Screenshot_2025-11-28-20-09-32-279_com.facebook.lite-edit.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3827\" src=\"http:\/\/blogg.folkuniversitetet.nu\/lerust\/files\/2026\/04\/Screenshot_2025-11-28-20-09-32-279_com.facebook.lite-edit-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" srcset=\"https:\/\/blogg.folkuniversitetet.nu\/lerust\/files\/2026\/04\/Screenshot_2025-11-28-20-09-32-279_com.facebook.lite-edit-244x300.jpg 244w, https:\/\/blogg.folkuniversitetet.nu\/lerust\/files\/2026\/04\/Screenshot_2025-11-28-20-09-32-279_com.facebook.lite-edit-833x1024.jpg 833w, https:\/\/blogg.folkuniversitetet.nu\/lerust\/files\/2026\/04\/Screenshot_2025-11-28-20-09-32-279_com.facebook.lite-edit-768x944.jpg 768w, https:\/\/blogg.folkuniversitetet.nu\/lerust\/files\/2026\/04\/Screenshot_2025-11-28-20-09-32-279_com.facebook.lite-edit-676x831.jpg 676w, https:\/\/blogg.folkuniversitetet.nu\/lerust\/files\/2026\/04\/Screenshot_2025-11-28-20-09-32-279_com.facebook.lite-edit.jpg 1080w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><\/a><\/p>\n<p data-start=\"0\" data-end=\"94\">Ce projet est bien r\u00e9el, imagin\u00e9 par l\u2019artiste allemand <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Hans Hemmert<\/span><\/span>.<\/p>\n<p data-start=\"96\" data-end=\"274\">Intitul\u00e9e <strong data-start=\"106\" data-end=\"124\">\u201cLevel\u201d (1997)<\/strong>, cette installation consistait \u00e0 \u201cuniformiser\u201d la taille de tous les participants \u00e0 exactement 2 m\u00e8tres gr\u00e2ce \u00e0 des semelles compens\u00e9es sur mesure.<\/p>\n<p data-start=\"276\" data-end=\"356\">L\u2019id\u00e9e peut para\u00eetre simple, mais elle produit un effet psychologique puissant :<\/p>\n<ul data-start=\"358\" data-end=\"762\">\n<li data-section-id=\"tg7t7i\" data-start=\"358\" data-end=\"508\"><strong data-start=\"360\" data-end=\"399\">Effacement d\u2019une hi\u00e9rarchie visible<\/strong> : la taille influence inconsciemment notre perception de l\u2019autorit\u00e9, de la confiance ou de l\u2019attractivit\u00e9.<\/li>\n<li data-section-id=\"9djjo\" data-start=\"509\" data-end=\"642\"><strong data-start=\"511\" data-end=\"547\">Perturbation des rep\u00e8res sociaux<\/strong> : sans cette diff\u00e9rence, les interactions deviennent \u00e9trangement neutres\u2026 voire maladroites.<\/li>\n<li data-section-id=\"16dwmtn\" data-start=\"643\" data-end=\"762\"><strong data-start=\"645\" data-end=\"668\">Prise de conscience<\/strong> : on r\u00e9alise \u00e0 quel point des crit\u00e8res physiques, souvent ignor\u00e9s, structurent nos relations.<\/li>\n<\/ul>\n<p data-start=\"764\" data-end=\"899\">Ce genre d\u2019\u0153uvre est typique de l\u2019art contemporain : cr\u00e9er une exp\u00e9rience concr\u00e8te pour r\u00e9v\u00e9ler des m\u00e9canismes invisibles du quotidien.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Erwin Wurm | One Minute Sculptures\" width=\"676\" height=\"380\" src=\"https:\/\/www.youtube.com\/embed\/vX91fcNjhlc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p data-start=\"204\" data-end=\"347\">Wurm demande \u00e0 des visiteurs de prendre des poses absurdes avec des objets du quotidien (se coincer dans un pull, poser avec une chaise, etc.).<\/p>\n<p data-start=\"349\" data-end=\"527\">\ud83d\udc49 R\u00e9sultat :<br data-start=\"362\" data-end=\"365\" \/>On devient soi-m\u00eame une sculpture\u2026 mais ridicule, instable, vuln\u00e9rable.<\/p>\n<h3 data-section-id=\"1io01va\" data-start=\"534\" data-end=\"604\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Marina Abramovi\u0107<\/span><\/span> \u2014 <em data-start=\"581\" data-end=\"604\">The Artist Is Present<\/em><\/h3>\n<p data-start=\"605\" data-end=\"688\">Elle reste assise en silence pendant des heures, regardant les visiteurs un par un.<\/p>\n<p data-start=\"690\" data-end=\"844\">\ud83d\udc49 Effet :<br data-start=\"700\" data-end=\"703\" \/>Un simple regard devient une exp\u00e9rience intense, presque bouleversante.<\/p>\n<p><iframe loading=\"lazy\" title=\"Marina Abramovic on The Artist Is Present (2010)\" src=\"https:\/\/player.vimeo.com\/video\/72711715?dnt=1&amp;app_id=122963\" width=\"676\" height=\"380\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<h3 data-section-id=\"18x1i6b\" data-start=\"851\" data-end=\"920\">\ud83c\udf2b\ufe0f <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Olafur Eliasson<\/span><\/span> \u2014 <em data-start=\"899\" data-end=\"920\">The Weather Project<\/em><\/h3>\n<p data-start=\"921\" data-end=\"980\">Une \u00e9norme \u201cfausse\u201d soleil dans une salle remplie de brume.<\/p>\n<p data-start=\"982\" data-end=\"1107\">\ud83d\udc49 Ce que \u00e7a fait :<br data-start=\"1001\" data-end=\"1004\" \/>Les gens s\u2019allongent, contemplent, se sentent connect\u00e9s\u2026<\/p>\n<p><iframe loading=\"lazy\" title=\"OLAFUR ELIASSON : The Weather Project\" width=\"676\" height=\"380\" src=\"https:\/\/www.youtube.com\/embed\/kYAaZ53tazU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3 data-section-id=\"8ivpsk\" data-start=\"1386\" data-end=\"1449\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Do Ho Suh<\/span><\/span> \u2014 maisons en tissu<\/h3>\n<p data-start=\"1450\" data-end=\"1525\">Il recr\u00e9e des espaces de vie (appartements, couloirs) en tissu transparent.<\/p>\n<p data-start=\"1527\" data-end=\"1630\">\ud83d\udc49 Sensation :<br data-start=\"1541\" data-end=\"1544\" \/>Tu marches dans des souvenirs mat\u00e9rialis\u00e9s.<br data-start=\"1587\" data-end=\"1590\" \/>\u00c7a parle d\u2019identit\u00e9, d\u2019exil, de m\u00e9moire.<\/p>\n<p><iframe loading=\"lazy\" title=\"Step inside Do Ho Suh&#039;s unique fabric architecture | Private View | Wallpaper*\" width=\"676\" height=\"380\" src=\"https:\/\/www.youtube.com\/embed\/XFt5DrF1foM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p data-start=\"1527\" data-end=\"1630\">CHOISISSEZ UNE OU DES OEUVRES ET REPONDEZ AUX QUESTIONS:<\/p>\n<h2 data-section-id=\"emkuxi\" data-start=\"181\" data-end=\"244\">\ud83c\udfa8 1. <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Hans Hemmert<\/span><\/span> \u2014 <em data-start=\"230\" data-end=\"237\">Level<\/em> (1997)<\/h2>\n<ul data-start=\"245\" data-end=\"503\">\n<li data-section-id=\"4rvcsn\" data-start=\"245\" data-end=\"280\">Que voyez-vous dans cette \u0153uvre ?<\/li>\n<li data-section-id=\"iydyzd\" data-start=\"281\" data-end=\"335\">Pourquoi les personnes sont-elles \u00e0 la m\u00eame taille ?<\/li>\n<li data-section-id=\"1xc45d1\" data-start=\"336\" data-end=\"393\">Est-ce que c\u2019est important d\u2019\u00eatre diff\u00e9rent ou pareil ?<\/li>\n<li data-section-id=\"1w4y76t\" data-start=\"394\" data-end=\"449\">Dans la soci\u00e9t\u00e9, tout le monde est-il vraiment \u00e9gal ?<\/li>\n<li data-section-id=\"15boqer\" data-start=\"450\" data-end=\"503\">Aimeriez-vous participer \u00e0 cette \u0153uvre ? Pourquoi ?<\/li>\n<\/ul>\n<hr data-start=\"505\" data-end=\"508\" \/>\n<h2 data-section-id=\"1fmss3k\" data-start=\"510\" data-end=\"582\">\ud83c\udfad 2. <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Marina Abramovi\u0107<\/span><\/span> \u2014 <em data-start=\"559\" data-end=\"582\">The Artist Is Present<\/em><\/h2>\n<ul data-start=\"583\" data-end=\"822\">\n<li data-section-id=\"1obz1me\" data-start=\"583\" data-end=\"628\">Que fait l\u2019artiste dans cette performance ?<\/li>\n<li data-section-id=\"dk3vkh\" data-start=\"629\" data-end=\"682\">Est-ce que rester assis sans parler est difficile ?<\/li>\n<li data-section-id=\"106uc9j\" data-start=\"683\" data-end=\"725\">Pourquoi les visiteurs participent-ils ?<\/li>\n<li data-section-id=\"jls7qc\" data-start=\"726\" data-end=\"773\">Est-ce que c\u2019est de l\u2019art ou non ? Pourquoi ?<\/li>\n<li data-section-id=\"xwywvk\" data-start=\"774\" data-end=\"822\">Comment vous sentiriez-vous face \u00e0 l\u2019artiste ?<\/li>\n<\/ul>\n<hr data-start=\"824\" data-end=\"827\" \/>\n<h2 data-section-id=\"1mcjqei\" data-start=\"829\" data-end=\"900\">\u23f1\ufe0f 3. <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Erwin Wurm<\/span><\/span> \u2014 <em data-start=\"878\" data-end=\"900\">One Minute Sculpture<\/em><\/h2>\n<ul data-start=\"901\" data-end=\"1134\">\n<li data-section-id=\"n9aouq\" data-start=\"901\" data-end=\"939\">Que doivent faire les participants ?<\/li>\n<li data-section-id=\"g03jpa\" data-start=\"940\" data-end=\"989\">Est-ce que tout le monde peut devenir artiste ?<\/li>\n<li data-section-id=\"17ocgkw\" data-start=\"990\" data-end=\"1041\">Est-ce que cette \u0153uvre est amusante ou s\u00e9rieuse ?<\/li>\n<li data-section-id=\"jdyxlh\" data-start=\"1042\" data-end=\"1083\">Le corps peut-il \u00eatre une \u0153uvre d\u2019art ?<\/li>\n<li data-section-id=\"18dvk90\" data-start=\"1084\" data-end=\"1134\">Aimeriez-vous faire une sculpture d\u2019une minute ?<\/li>\n<\/ul>\n<hr data-start=\"1136\" data-end=\"1139\" \/>\n<h2 data-section-id=\"126t2gw\" data-start=\"1141\" data-end=\"1211\">\ud83c\udf1e 4. <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Olafur Eliasson<\/span><\/span> \u2014 <em data-start=\"1190\" data-end=\"1211\">The Weather Project<\/em><\/h2>\n<ul data-start=\"1212\" data-end=\"1453\">\n<li data-section-id=\"ryds3g\" data-start=\"1212\" data-end=\"1249\">Que repr\u00e9sente cette installation ?<\/li>\n<li data-section-id=\"1clrygh\" data-start=\"1250\" data-end=\"1294\">Comment vous sentez-vous dans cet espace ?<\/li>\n<li data-section-id=\"mjygl7\" data-start=\"1295\" data-end=\"1343\">Est-ce que la lumi\u00e8re influence les \u00e9motions ?<\/li>\n<li data-section-id=\"4rozut\" data-start=\"1344\" data-end=\"1388\">Pourquoi les gens s\u2019allongent-ils au sol ?<\/li>\n<li data-section-id=\"17bxxlp\" data-start=\"1389\" data-end=\"1453\">L\u2019art doit-il cr\u00e9er une exp\u00e9rience ou seulement \u00eatre regard\u00e9 ?<\/li>\n<\/ul>\n<hr data-start=\"1455\" data-end=\"1458\" \/>\n<h2 data-section-id=\"ewc9ho\" data-start=\"1460\" data-end=\"1525\">\ud83c\udfe0 5. <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Do Ho Suh<\/span><\/span> \u2014 maisons en tissu<\/h2>\n<ul data-start=\"1526\" data-end=\"1744\">\n<li data-section-id=\"14w0dwn\" data-start=\"1526\" data-end=\"1570\">Pourquoi l\u2019artiste utilise-t-il du tissu ?<\/li>\n<li data-section-id=\"12tp6ce\" data-start=\"1571\" data-end=\"1609\">Que repr\u00e9sente la maison pour vous ?<\/li>\n<li data-section-id=\"1rmjnk8\" data-start=\"1610\" data-end=\"1647\">Est-ce facile de quitter son pays ?<\/li>\n<li data-section-id=\"sdkzb8\" data-start=\"1648\" data-end=\"1686\">Peut-on transporter son \u201cchez-soi\u201d ?<\/li>\n<li data-section-id=\"1iccu8b\" data-start=\"1687\" data-end=\"1744\">Quelle est la diff\u00e9rence entre une maison et un foyer ?<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ce projet est bien r\u00e9el, imagin\u00e9 par l\u2019artiste allemand Hans Hemmert. Intitul\u00e9e \u201cLevel\u201d (1997), cette installation consistait \u00e0 \u201cuniformiser\u201d la taille de tous les participants \u00e0 exactement 2 m\u00e8tres gr\u00e2ce \u00e0 des semelles compens\u00e9es sur mesure. L\u2019id\u00e9e peut para\u00eetre simple, mais elle produit un effet psychologique puissant : Effacement d\u2019une hi\u00e9rarchie visible : la [&hellip;]<\/p>\n","protected":false},"author":885,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3823","page","type-page","status-publish","hentry","post-preview"],"_links":{"self":[{"href":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/wp-json\/wp\/v2\/pages\/3823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/wp-json\/wp\/v2\/users\/885"}],"replies":[{"embeddable":true,"href":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/wp-json\/wp\/v2\/comments?post=3823"}],"version-history":[{"count":9,"href":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/wp-json\/wp\/v2\/pages\/3823\/revisions"}],"predecessor-version":[{"id":3834,"href":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/wp-json\/wp\/v2\/pages\/3823\/revisions\/3834"}],"wp:attachment":[{"href":"https:\/\/blogg.folkuniversitetet.nu\/lerust\/wp-json\/wp\/v2\/media?parent=3823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}